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5 Ways to Improve Arrow Next Season

The finale of Arrow has aired, and the consensus view is that this whole season has been a mess. I certainly don’t disagree with that, and in fact I am probably harsher in my outlook than most people who are still watching. I think that current head writer Marc Guggenheim is simply a bad writer who seems to think that we should find the show to be awesome just because it depicts comic book characters.

Some of the ways to make the show better next season are pretty obvious: make the dialogue better, get a good villain portrayed by a strong actor, write character allegiances that actually make sense, and next time you say a character won’t forgive something, make sure they actually don’t forgive it when it actually happens. They are certainly necessary, but for this post, I’m going to concentrate on some of details that I think people are discussing a little less.

1. Give the women some independence and agency

This season was just a bad one for women. Sara was unceremoniously killed just to motivate the characters for the first half of the season (the fact that she’s coming back for Legends of Tomorrow may indicate that the writers realize how stupid that was). Thea was manipulated at every turn and then was also killed in order to force Oliver to join the League of Assassins (she got better, but she was still reduced to being a plot point). And Felicity’s primary function was to be a love interest for two of the characters. Before this season, all three of these characters had rich backstories and interesting motivations. In Marc Guggenheim’s hands, they became pawns to be moved around by the men.

Ironically, the most independent-minded woman this season was Laurel. I thought her motivations were really stupid and that Katie Cassidy was incapable of selling her as an action hero, but at least she was going her own way without being mind-controlled or told what to do.

2. Bring back the ridiculous cool archery

Remember in the pilot episode when Oliver threw a bunch of tennis balls in the air and then nailed them all to the wall with arrows before they hit the ground? Or how about that time he shot an RPG out of the air? Those moments have mostly disappeared this season, and that’s been to the show’s detriment. It’s Oliver’s defining characteristic. Yes, it’s unrealistic, but that concern sort of goes out the window in a world with the Flash and a pit of water that can resurrect the dead.

In the comics, Oliver Queen has been known to curve the flight of arrows, fire them backwards over his shoulder, and shoot an arrow right down the barrel of a gun. How awesome would it be to see that happening on your TV screen?

3. Stop with the secret keeping

It just doesn’t work. It always ends up making people look stupid. Cut it out.

4. Make the stakes smaller

In season 1, the eventual big threat was an earthquake machine which would destroy a big portion of the city. In season 2, the threat was an army of superpowered soldiers overrunning the place. In season 3, it was a biological weapon. At this point, I think the trope has been played out and has nowhere else to go (incidentally, this is the same criticism I have of the Marvel movies and why I’m strongly unenthusiastic about the upcoming Infinity War). There’s only so many times you can threaten Starling City with utter destruction before it just gets boring.

There are plenty of other ways to generate dramatic tension. You could put one of the character’s lives at risk by infecting them with some disease so that our heroes have to spend several episodes searching for the cure. We still haven’t resolved Detective Lance’s feelings about costumed vigilantes (and he did have some good points when he was allowed to articulate his opposition to them). And how about Oliver’s unknown baby? The revelation could do all kinds of interesting things to the character dynamics.

5. Have some fun

Arrow has always been on the darker side of TV shows, but this season has gone a little overboard. Remember when Felicity would babble too much and inappropriately say what she really thought? Or when Diggle complained about always being cast as the chauffeur during undercover operations? Remember that moment in Season 1 when Oliver and Felicity were in an elevator with a guy hitting on Felicity and Oliver deliberately spilled the guy’s papers in order to get rid of him? Now try to think of a similar moment from this season. The closest we’ve gotten is Nyssa being pleasantly surprised at how good milk shakes taste.

I’m not saying Arrow should be a comedy. But it did allow humor to show up sometimes, and behind-the-scenes videos have shown that all of the cast members are pretty funny people. Humans living in even the bleakest environments have nonetheless usually found something to laugh at. It’s how they survive. Relentless tragedy and grimness just gets monotonous after a while.

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